[adp-list] Description Quality

fred olver goodfolks at charter.net
Thu Jun 7 17:25:41 EDT 2012


Why not, but also for Descriptive video in theaters, I expect it would be 
alot cheaper.

Fred Olver

----- Original Message ----- 
From: "margaret hardy" <katiemags at aol.com>
To: <adp-list at acb.org>
Sent: Thursday, June 07, 2012 4:23 PM
Subject: Re: [adp-list] Description Quality


> for live theatre?
>
> margaret hardy
> katiemags at aol.com
>
>
> -----Original Message-----
> From: fred olver <goodfolks at charter.net>
> To: ACB Audio Description Project Discussion List <adp-list at acb.org>
> Sent: Thu, Jun 7, 2012 1:38 pm
> Subject: Re: [adp-list] Description Quality
>
>
> Someone ought to develop an app so Iphone users can receive audio 
> description with their phones or Ipods/ipads.
>
> Fred Olver
>
> ----- Original Message -----
>
> From:   Diane DiSalvo
>
> To: adp-list at acb.org
>
> Sent: Thursday, June 07, 2012 2:32   PM
>
> Subject: Re: [adp-list] Description   Quality
>
>
>
>
> Brilliantly stated, as usual, Rick. What you have   outlined here is and 
> has always been the goal of AudioVision, Inc. That   is to say the 
> providing of "quality description." As Margaret said,   we were able to 
> bring in blind patrons to review our process back in the "old   days" and 
> it was tremendously beneficial in creating the formula we   continue to 
> operate with today. I too believe that this is the most   important issue 
> concerning the continued improvement and ultimate success   of audio 
> description. If those of us working in this field cannot ensure   the 
> quality of what we produce, we are merely spinning our wheels and doing 
> more of a disservice to those we profess to serve.
>
> Thank you   so much for your "unique perspective."
> Diane DiSalvo
> Program Director
> AudioVision, Inc.
>
>
>
>
> ------------------------------------------------------------
>  From: rjboggs at socal.rr.com
> Date: Thu, 7 Jun 2012 11:24:27 -0700
> To:   adp-list at acb.org
> Subject: [adp-list] Description Quality
>
> Hello   all,
> I'd like to share my somewhat unique perspective with you, in   particular 
> with those blind consumers on the list here. I say unique,  because 
> perhaps sadly, I happen to be the only totally blind professional 
> producer of video description and the only producer of video description 
> to   hire blind professionals to review the description work we do at my 
> company.   So, I am certainly a consumer. I am also a professional audio 
> engineer and voice over artist with a resume of more than 25 years in 
> those   fields of work.
>
> There are so many issues concerning description, and   many more studies 
> need to be conducted. Description consumers are so   unaware of 
> description in general, where to find it, how it is produced, what   is 
> and is not possible to achieve through description, how to access it when 
> it is offered, how to know when and where it is offered, and on and on. 
> People   can point to the limited studies that have been attempted thus 
> far. We   know that the AFB study from the late 1990s suggested great 
> disparity between   blind consumers of description and their opinions 
> about what they liked and   what they wanted. In my own organization and 
> experience producing   description, we have continuously attempted to 
> collect as much data as   possible about consumer opinions related to 
> description style and content.   I have carefully analyzed all of the 
> published "standards" for   description as well. It seems there are some 
> generally agreed upon   principles. Everything else seems to be stylistic 
> choices.
> I am concerned that the technology related to description   production and 
> delivery is already and will continue to be far ahead of the   effort to 
> learn answers to some critical questions that could best ensure that 
> blind consumers of description are served effectively. The "quality" of 
> description will forever be an arguable topic with various schools of 
> thought   advocating their own viewpoints. To imagine that there might 
> ever be an   agreed upon method by which we can measure the quality of 
> description might be   a very lofty idea and may be well out of reach in 
> reality. However, the   concern about the rising quantity of description 
> becoming a priority that   completely blots out any effort to ensure the 
> quality of description offered   is a very valid concern. Consumers 
> generally have no idea about emerging  technology that will soon make the 
> production and delivery of description very   easy for anyone to do. While 
> this will surely increase exponentially the   quantity of description 
> available, it will also surely dramatically affect the   style or quality 
> of description available as well.
> The real   question here is whether or not the current "leadership" or 
> leading producers   of description will make any attempt to address this 
> issue, or will they   simply be satisfied to get their share of the 
> growing pie of description work   in the marketplace? Anytime non-disabled 
> individuals provide a "service"   intended to benefit people with 
> disabilities, there is a potential for a gap   in integrity or 
> accountability. Because the service being sold or   purchased feels like a 
> program to benefit the public, there is possibly a   built-in assumption 
> by consumers of the service and the onlooking public that   those 
> providing the service are serving the disabled population in the most 
> effective way possible and that doing so is in fact the goal of those 
> providing the service. That is a natural dynamic when non-disabled 
> people design, operate, and deliver services for disabled   populations.
>
> So, I assert that the best way to address the issue of the   "quality" of 
> description, whatever that might mean, is to ensure that blind 
> professionals are reviewing description, are involved in producing 
> description, and that, in general, those producing description in any form 
> ought to make every effort to be directly accountable to the consumers 
> they   serve. While this may not result in any particular consistency in 
> style   or content of description, it will be the only measurable means to 
> determine   that every effort has been made to serve the consumer; that 
> is, let the   consumer determine how they are served.
>
> All sorts of arguments can be   made by producers of description as to why 
> this is not practical, but I run   perhaps the smallest of the very active 
> description companies who regularly   deliver description to government 
> agencies, nonprofit organizations, and even   television, DVD, and movie 
> cinemas, and I have been able to ensure that every   program is reviewed 
> by professionals who are also blind consumers.
> Since consumers know very little about the service, as I already   pointed 
> out, they are likely to accept any idea that sounds reasonable that 
> might explain why a description producer does not include any blind 
> professional review process. I would suggest that no other producer of 
> description would likely understand how they might incorporate some form 
> of   review by blind professionals, since they have no experience doing 
> it.   As a business person, I definitely appreciate the perceived burden 
> that   such accountability might seem to be. Purely from a business 
> standpoint,   any added expense to the production process would be a cost 
> that must be   minimized in order to achieve maximum profitability. 
> Indeed, if blind   consumers allow cost and profit margin to be the 
> primary or sole   considerations for producers, then that will remain a 
> legitimate approach to   producing description. However, if the forces in 
> the marketplace were to   shift, and an emphasis on some measure of 
> quality, such as review by a blind   professional, were to become a major 
> concern for buyers of description who   might hear lots of feedback from 
> consumers of description, that might be a   "game changer" forgive the 
> over-used pop phrase. If consumers were to   apply enough pressure through 
> public forums like social media, email   petitions, and phone calls and 
> letters to government agencies that fund   description, networks that 
> broadcast description, and theaters, museums, and   other venues that 
> offer description, asking, demanding, to know if blind   professionals 
> reviewed the description being offered, then, suddenly, it makes   more 
> sense for a producer to incorporate such accountability, even if it does 
> put a small bend in the bottom line. Consumers most often think like 
> consumers, but if blind consumers want to have any impact on the kind of 
> description they get in the near future, they really will have to think 
> more   like business people.
>
> Do we who produce description need to learn much   more about what our 
> description consumers want? Yes, we do. However, if   finding those 
> answers takes longer than the roll out of new technology that   will flood 
> the market with description that may not even really serve   consumers, 
> then studies may become an irrelevant afterthought. Blind   consumers are 
> still in a position to have an impact before that horse leaves   the barn. 
> Waiting until they are completely unhappy with what passes for   most 
> description will be too late to do much about it.
>
> So, that is my   somewhat unique perspective on what I consider to be the 
> most important topic   or issue concerning description today.
>
> I certainly cannot be accused of   trying to be popular.
>
> Rick Boggs
>
> www.audioeyesllc.com
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